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TOMEK SADURSKI

April, 2025

Solo Show - curated by Santiago Guggenheim 

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PARIS

35 AVENUE MATIGNON 
75008, FRANCE 

Dumas+Limbach is pleased to present “Tomek Sadurski, Corps”, a solo exhibition curated by Santiago R. Guggenheim in our Parisian gallery, inaugurating our contemporary collection. The exhibition features works by Polish artist Tomek Sadurski.

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Born in Poland (b. 1979), Tomek Sadurski is a multidisciplinary artist whose work explores the intersection between movement and drawing. His series According to Physics illustrates the close relationship between these two dimensions, translating both physical and artistic dynamics into abstract and figurative compositions.

Inspired by his background as a dancer, he infuses his works with a kinetic energy, where organic geometric structures meet vibrant pictorial gestures. The artist becomes one with his art.

Trained at the Academy of Fine Arts in Munich in media arts and scenography, following studies in fashion and communication design, Sadurski has developed a prolific practice encompassing painting, illustration, sculpture, and performance. His work has been exhibited in prestigious institutions such as Haus der Kunst in Munich, Centre Pompidou in Paris, and the Institut d'Art Moderne in Valencia.

TOMEK SADURSKI

Untitled TOM30, 2024

Acrylic paint on heavy fiber - de arraiolos

143,5 x 184 cm

Tomek Sadurski’s NONLOCALITY series continues the inscription of the body within the artist’s practice. It is a profound reflection on the nature of movement and connection, inspired by the principles of quantum physics and dynamic systems.

In physics, nonlocality refers to quantum entanglement ; a phenomenon in which two particles remain instantaneously connected, regardless of the distance between them. This concept challenges our perception of space and time, questioning causality as we intuitively understand it.

In his work, Sadurski transposes this idea into art, creating compositions where each element seems to influence the others beyond physical boundaries. These oscillating patterns, expanding forms, and fluid structures visually express this interconnection, dissolving any notion of fixity. Each brushstroke, each line, becomes a vector of transformation ;  a visual echo of the ceaseless movement governing both the natural and quantum worlds. A continuation of the body, of movement, and of the artist’s vital energy.

TOMEK SADURSKI

Untitled TOM06, 2024

Acrylic and metallic spray on paper

65 x 50 cm

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TOMEK SADURSKI

Untitled TOM32, 2021

Acrylic on paper

65 x 50 cm

TOMEK SADURSKI

Untitled TOM04, 2024

Acrylic and gold chroma leaf collage on paper

65 x 50 cm

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Heartbeats, nerve impulses, rhythmic oscillations of movement. Far from being a mere spectator, the artist immerses himself in this perpetual flow. His gesture becomes a choreography, an intuitive dance where each movement extends the momentum of the previous one, creating a fluid continuity between the body and the canvas. Thus, NONLOCALITY is not merely a representation of movement, but a manifestation of it, where the brush becomes the extension of an inner rhythm, a visual pulse embedded in the very material of the work.

hrough this interaction, NONLOCALITY becomes an exploration of the dialogue between stability and transformation. The elements in each work appear to interact like entangled particles, reflecting a vision where the universe is in constant motion. Far from being a mere formal exercise, this series invites the viewer into active contemplation, encouraging them to perceive the dance between order and chaos, where each detail seems both influenced and influencing at once.

TOMEK SADURSKI

Untitled TOM31, 2024

Acrylic paint on heavy fiber - de arraioloss

184 x 143,5 cm 

"For me, drawing is the dance of a line, and dance is a drawing in space and time. They are deeply linked. Drawing these figures was a total bodily gesture, a complete physical immersion. The pressure and fluidity of the lines had to be authentic. Each drawing thus becomes a movement, a choreography of its own."

Quotation from Tomek Sadurski

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